https://shivaniradhakrishnan.com Shivani Radhakrishnan Thu, 01 Apr 2021 18:00:41 +0000 https://shivaniradhakrishnan.com en https://shivaniradhakrishnan.com/Home-Navigation Thu, 01 Apr 2021 18:00:41 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Home-Navigation SHI VANI&nbsp; RADHA KRISH NAN https://shivaniradhakrishnan.com/About Thu, 01 Apr 2021 14:07:57 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/About ABOUTI am an assistant professor at Vassar College in philosophy, with an appointment in Women, Feminist and Queer Studies.&nbsp;I write about Disneyland, diaspora, doppelgängers, globalization, Tamil poetry, the Trans- Siberian railroad, church and state, coloniality, conceptual art, house music undergrounds, aspirationally B-movies, and Yellow Magic Orchestra. My essays and cultural criticism appear in publications like The Washington Post, n+1, The Baffler, The Point, The Believer, frieze, BOMB, The Georgia Review, among others. I’m interested in associative connections between social theory and the textures of everyday life.I’m currently working on essay collection called Original Copy, about masks, doubles, proxies, and colonial mimicry as well as the politics of representation.&nbsp; Among things that move me: Third Worldism, psychoanalysis, food’s relationship to power, contemplative cinema, religious practice,&nbsp; poetry, 70s and 80s global funk, trees and plants, and the nature of representation in politics and in art (esp lens-based and conceptual). In a previous slice of this life, I did a Fulbright in Vladivostok, Russia (и постаянно скучаю по русскому языку), and graduated with degrees from Columbia, Oxford and Princeton. These days, I live in New York. You can email me at: &lt;shivani[dot] radhakrishnan [at] gmail [dot] com &gt; I tweeted, occasionally, from @shivnotshank. October 2024 <img width="2275" height="3000" width_o="2275" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f3e7f460d61e52313481f664f5518340de94275f8c73c58e6af5a5b6a1693b5b/karl-blossfeldt-1.jpeg" data-mid="103977947" border="0" src="https://freight.cargo.site/w/1000/i/f3e7f460d61e52313481f664f5518340de94275f8c73c58e6af5a5b6a1693b5b/karl-blossfeldt-1.jpeg" /> <img width="1179" height="1536" width_o="1179" height_o="1536" data-src="https://freight.cargo.site/t/original/i/79e2775b082aac31df7be702ddf924994ec767dab85069e0f8e9f15ca726fc07/ianhamiltonfinlay.jpeg" data-mid="103979707" border="0" src="https://freight.cargo.site/w/1000/i/79e2775b082aac31df7be702ddf924994ec767dab85069e0f8e9f15ca726fc07/ianhamiltonfinlay.jpeg" /> <img width="1935" height="2500" width_o="1935" height_o="2500" data-src="https://freight.cargo.site/t/original/i/705c2a061ca15a9cc2d280aaa008870e7b2fbbc552834358e23e6d1cbd664aee/bloss.jpeg" data-mid="103980416" border="0" src="https://freight.cargo.site/w/1000/i/705c2a061ca15a9cc2d280aaa008870e7b2fbbc552834358e23e6d1cbd664aee/bloss.jpeg" /> <img width="703" height="960" width_o="703" height_o="960" data-src="https://freight.cargo.site/t/original/i/4bed07a0d520b1de3983a29522859c1f7ffec14d7c8649833b0a41efe12a1a74/49860425218_967f9e641b_b.jpeg" data-mid="103980265" border="0" src="https://freight.cargo.site/w/703/i/4bed07a0d520b1de3983a29522859c1f7ffec14d7c8649833b0a41efe12a1a74/49860425218_967f9e641b_b.jpeg" /> <img width="1000" height="1011" width_o="1000" height_o="1011" data-src="https://freight.cargo.site/t/original/i/17ab5c09995c11e2037b696465f21dd3bce37bcb05e204f577afd03228748641/nasreenmohamedi.jpeg" data-mid="103980423" border="0" src="https://freight.cargo.site/w/1000/i/17ab5c09995c11e2037b696465f21dd3bce37bcb05e204f577afd03228748641/nasreenmohamedi.jpeg" /> &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="9443" height="3699" width_o="9443" height_o="3699" data-src="https://freight.cargo.site/t/original/i/ca93052d6480395982b5f6dff200340e4202e021e20fa7444feaef6135eb4167/Shivani.jpg" data-mid="103979222" border="0" src="https://freight.cargo.site/w/1000/i/ca93052d6480395982b5f6dff200340e4202e021e20fa7444feaef6135eb4167/Shivani.jpg" />Writing in the feminine. And on a colored sky. How do you inscribe difference without bursting into a series of euphoric narcissistic accounts of yourself and your kind? Without indulging in a marketable romanticism or a naive whining about your condition? In other words, how do you forget without annihilating? Between the twin chasms of navel-gazing and navel-erasing, the ground is narrow and slippery.&nbsp; - Trinh Minh-ha, Woman, Native, Other &nbsp; https://shivaniradhakrishnan.com/Essays-Criticism Thu, 01 Apr 2021 14:07:58 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Essays-Criticism ESSAYS, CRITICISM,ETC.&nbsp; <img width="256" height="197" width_o="256" height_o="197" data-src="https://freight.cargo.site/t/original/i/3a921f7b8dd00e95422475024fd46a2abc56047e573436de9b6d1c4454daea67/reading.jpeg" data-mid="103983978" border="0" src="https://freight.cargo.site/w/256/i/3a921f7b8dd00e95422475024fd46a2abc56047e573436de9b6d1c4454daea67/reading.jpeg" /> <img width="1200" height="1496" width_o="1200" height_o="1496" data-src="https://freight.cargo.site/t/original/i/f8480af1dabf5f5eeab4dce0a242ca962968afcf1a186c78c9223997f0b8c32d/bl4.jpg" data-mid="103969467" border="0" src="https://freight.cargo.site/w/1000/i/f8480af1dabf5f5eeab4dce0a242ca962968afcf1a186c78c9223997f0b8c32d/bl4.jpg" /> <img width="3229" height="4693" width_o="3229" height_o="4693" data-src="https://freight.cargo.site/t/original/i/f9b3bf21fc73d11fc126b8ace919735ca3c3726d79223a2de89a4f68777e4a83/we2.jpg" data-mid="103969464" border="0" src="https://freight.cargo.site/w/1000/i/f9b3bf21fc73d11fc126b8ace919735ca3c3726d79223a2de89a4f68777e4a83/we2.jpg" /> Essays&nbsp; Cochin Moon (The Believer) Imitation: A Study (The Georgia Review) email for copy Distance (Threepenny Review) email for copy Both/And (Pleiades) email for copyThoughts On public utilities (The Fulcrum) On the construction of “Hinduism” (Washington Post) On truth vs truthiness (Even) On jaywalking (Washington Post) On leisure (Washington Post) On compliments and gift-giving (Aeon)&nbsp; On diaspora’s relationship to Indian politics (The Vanguard) CriticismOn deconversion narratives &amp; Meghan O’Gieblyn’s God Human Animal Machine(The Point)&nbsp;On caste/class and Court (n+1) On Rachel Cusk’s Second Place (The Baffler) On Popliteratur &amp; Rainald Goetz’s Rave (BOMB) On immersion and Limits of Knowing (frieze) On hope, optimism, and the curmudgeon that is Terry Eagleton (LA Review of Books)On love &amp; recognition through Martha Nussbaum’s Political Emotions (Boston Review) On avoiding ritual celebration/ rejection through Thinking with MLK Jr. (LA Review of Books) Interviews and Profiles Trinh T. Minh-ha (BOMB) Anne Anlin Cheng (BOMB) Anuk Arudpragasam (The White Review) Mahasweta Devi (Paris Review Daily) Media Conversation with Anuk Arudpragasam (Institute for Imagination and Ideas)&nbsp; Kierkegaard’s at the Graveside with Gal Katz &amp; Pujan Karambeigi (Death and the City/ Montez Press Radio) <img width="550" height="870" width_o="550" height_o="870" data-src="https://freight.cargo.site/t/original/i/005a918dc7fe52dab5753b86bff3bc2c8042d18ca481f15d663a459d032dee47/doorofperception.com-karl_blossfeldt-18.jpg" data-mid="103969472" border="0" src="https://freight.cargo.site/w/550/i/005a918dc7fe52dab5753b86bff3bc2c8042d18ca481f15d663a459d032dee47/doorofperception.com-karl_blossfeldt-18.jpg" /> <img width="1200" height="1679" width_o="1200" height_o="1679" data-src="https://freight.cargo.site/t/original/i/fbafffbf3bc180fb0a1019b224b9f971a4cd2275d493055a5458f3221ab33347/doorofperception.com-karl_blossfeldt-42.jpg" data-mid="103969479" border="0" 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https://shivaniradhakrishnan.com/Research-Teaching Thu, 01 Apr 2021 14:26:57 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Research-Teaching <img width="690" height="846" width_o="690" height_o="846" data-src="https://freight.cargo.site/t/original/i/6968edc2bb26c8b26c901bda42753091ee3e0058dde8ec000509aa0c5b12376e/d.jpg" data-mid="103978765" border="0" src="https://freight.cargo.site/w/690/i/6968edc2bb26c8b26c901bda42753091ee3e0058dde8ec000509aa0c5b12376e/d.jpg" /><img width="3000" height="3787" width_o="3000" height_o="3787" data-src="https://freight.cargo.site/t/original/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" data-mid="103978780" border="0" src="https://freight.cargo.site/w/1000/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" /> I am an assistant professor at Vassar College in philosophy, with an appointment in Women, Feminist and Queer Studies. Before that, I did a Gaius Bolin Fellowship at Williams College while I completed my PhD in philosophy at Columbia. Before that I did a BPhil in Philosophy at Oxford, and before that I did a BA at Princeton. My current research interests include: subject formation under neoliberalism, decolonial feminisms, and&nbsp;questions of Foucault’s&nbsp; afterlives in postcolonial thought. Recent Academic Publications: Critique as Coloniality: The Decolonial Challenge to Immanent Critique (Constellations)https://onlinelibrary.wiley.com/doi/10.1111/1467-8675.12790 Narrating Ourselves in History (an interview with Anne Anlin Cheng for a special issue of Studies in Gender and Sexuality on Asian-American psychoanalysis):&nbsp;https://www.tandfonline.com/eprint/XZCZU2IT27EWYJI3ZK5T/full?target=10.1080/15240657.2024.2414492 https://shivaniradhakrishnan.com/Original-Copy Thu, 01 Apr 2021 14:07:59 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Original-Copy ORIGINAL COPY Philosophy has a long and fraught relationship with copies:&nbsp; Plato’s “mimesis” sees artistic imitation as deceptive, while Kierkegaard remedies inauthenticity with passionate commitments beyond the self. Today, too, we increasingly worry that our lives are too performative, our work too derivative. ORIGINAL COPY is a critical reexamination of “inauthenticity” through the lens that the self is a performance taking on identity, religion, and diaspora. ︎︎ Celebrating the potential of what’s reproduced, ripped, and remixed, ORIGINAL COPY is a meditation on the transmission of culture through performance, opacity, doubles, and mimicry,&nbsp; weaving together philosophy, cultural criticism, and personal narrative to ask: what does it mean to think of the self as a performance? These linked essays recognize Tamil poets, historical re-enactors, anti-documentary filmmakers, Brazilian conceptual artists, voiceover stars, hack new age gurus and house music DJs&nbsp; all as philosophers in their own right, who help us see the value of what’s often considered “inauthentic” and “derivative.” &nbsp; As a body of work, these essays weave together personal narrative with philosophy and cultural criticism, and speak to migration and diaspora, religion, media (especially film, TV, and visual art), and the politics of representation. <img width="256" height="197" width_o="256" height_o="197" data-src="https://freight.cargo.site/t/original/i/3a921f7b8dd00e95422475024fd46a2abc56047e573436de9b6d1c4454daea67/reading.jpeg" data-mid="103985245" border="0" data-scale="99" src="https://freight.cargo.site/w/256/i/3a921f7b8dd00e95422475024fd46a2abc56047e573436de9b6d1c4454daea67/reading.jpeg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/295778eebda1f986f482a6fe2bcc34367660725fc78780f091f52b4e2a063e66/Language-Is-Not-Transparent-copy.jpeg" data-mid="103985175" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/295778eebda1f986f482a6fe2bcc34367660725fc78780f091f52b4e2a063e66/Language-Is-Not-Transparent-copy.jpeg" /> <img width="437" height="640" width_o="437" height_o="640" data-src="https://freight.cargo.site/t/original/i/493a4d2c06f84e8adf963b5d1502e5af8ab8e1f453974973ce0f55082d53747c/Aveugle-Voix-performance.jpeg" data-mid="103978333" border="0" src="https://freight.cargo.site/w/437/i/493a4d2c06f84e8adf963b5d1502e5af8ab8e1f453974973ce0f55082d53747c/Aveugle-Voix-performance.jpeg" /> In “Second Self,” I look at doubles of a 60-something Indian guru, turning to blurred boundaries between mothers and daughters, and revisiting the myth of Narcissus through a golden-era Hindi film actress.&nbsp; In “Imitation: A Study,” previously published in Georgia Review, I look at mimesis and the way diasporic people and second-gen immigrants are thought of as diluted versions of “authentic” originals. I turn to Plato’s theory of mimesis, a 90s Hollywood film called American Desi, Hiroshi Sugimoto, and my time trying to pass for Indian while in Bangalore to ask about why we’re so obsessed with imitations and copies. Individually, each essay ties personal material together with larger questions about copies, doubles, and performances. Other essays are about mediums of all kinds: bodies dancing to NY’s house music, landscapes emotional and physical, and the nature of time itself. .&nbsp; https://shivaniradhakrishnan.com/Reading-Looking-Listening Thu, 01 Apr 2021 14:35:58 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Reading-Looking-Listening <img width="180" height="279" width_o="180" height_o="279" data-src="https://freight.cargo.site/t/original/i/4f65235b5c48bbf5bb4ad027e7220d60641907a2ed4d6640f1c1021aa0f1d1d7/nostalghia.jpeg" data-mid="208212223" border="0" src="https://freight.cargo.site/w/180/i/4f65235b5c48bbf5bb4ad027e7220d60641907a2ed4d6640f1c1021aa0f1d1d7/nostalghia.jpeg" /> <img width="585" height="780" width_o="585" height_o="780" data-src="https://freight.cargo.site/t/original/i/621ea66e1effadc7f27ef4e3de490e9046b3fbbc5057d283959aeeadfd2887cb/shakertape.jpeg" data-mid="208212204" border="0" 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data-mid="208212048" border="0" src="https://freight.cargo.site/w/667/i/ceece8bf48c3b65733406d452373677ca7b152fd7b96dde08c5aa7bf09ddbd7c/fox.jpg" /> <img width="764" height="418" width_o="764" height_o="418" data-src="https://freight.cargo.site/t/original/i/ffb904a73e46a049814170ba56864f6eb72cca37728aee062c1a06d09597ac5f/yiyi.png" data-mid="208212070" border="0" src="https://freight.cargo.site/w/764/i/ffb904a73e46a049814170ba56864f6eb72cca37728aee062c1a06d09597ac5f/yiyi.png" /> <img width="1838" height="2775" width_o="1838" height_o="2775" data-src="https://freight.cargo.site/t/original/i/b422ed11f07ed108238e96338790bcd496db8108d6035d94cb2fd938b20f9bd3/statesof.jpeg" data-mid="208212058" border="0" src="https://freight.cargo.site/w/1000/i/b422ed11f07ed108238e96338790bcd496db8108d6035d94cb2fd938b20f9bd3/statesof.jpeg" /> <img width="650" height="433" width_o="650" height_o="433" data-src="https://freight.cargo.site/t/original/i/13b787811b1f13978cc99e250a2b23b45fdcfac7ec3fbdfa40dcf624a9da6531/how-to-make-tofu-at-home-3.jpeg" data-mid="208212220" border="0" src="https://freight.cargo.site/w/650/i/13b787811b1f13978cc99e250a2b23b45fdcfac7ec3fbdfa40dcf624a9da6531/how-to-make-tofu-at-home-3.jpeg" /> <img width="621" height="1000" width_o="621" height_o="1000" data-src="https://freight.cargo.site/t/original/i/31d8e573af4f87890a4eabe24f6ffe9e2beba310803be1d553db83bd7316fc12/myfriends.jpg" data-mid="208212061" border="0" src="https://freight.cargo.site/w/621/i/31d8e573af4f87890a4eabe24f6ffe9e2beba310803be1d553db83bd7316fc12/myfriends.jpg" /> <img width="530" height="530" width_o="530" height_o="530" data-src="https://freight.cargo.site/t/original/i/5b5cbf23c8bedd1b7defa67253aebcbe317e3d171c273e6cde14a57e644a5250/julien.jpeg" data-mid="208212057" border="0" src="https://freight.cargo.site/w/530/i/5b5cbf23c8bedd1b7defa67253aebcbe317e3d171c273e6cde14a57e644a5250/julien.jpeg" /> https://shivaniradhakrishnan.com/Editing Thu, 01 Apr 2021 14:07:59 +0000 Shivani Radhakrishnan https://shivaniradhakrishnan.com/Editing EDITING AND FEEDBACK <img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" data-mid="103969480" border="0" src="https://freight.cargo.site/w/1000/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" /> Zephyr INS 61975–6 <img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" data-mid="103969481" border="0" src="https://freight.cargo.site/w/1000/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" /> Shepherd Lad KY 2161975–6 <img width="1179" height="1536" width_o="1179" height_o="1536" data-src="https://freight.cargo.site/t/original/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" data-mid="103969482" border="0" src="https://freight.cargo.site/w/1000/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" /> Laconic,&nbsp;1987 <img width="1474" height="1042" width_o="1474" height_o="1042" data-src="https://freight.cargo.site/t/original/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" data-mid="103969483" border="0" src="https://freight.cargo.site/w/1000/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" /> Sail/Waves 1 — postcard design <img width="1418" height="993" width_o="1418" height_o="993" data-src="https://freight.cargo.site/t/original/i/424ede73299639de9fa5f81d13c3204a65edcb37359cac71d40f1634f9573436/c3.jpg" data-mid="103969484" border="0" src="https://freight.cargo.site/w/1000/i/424ede73299639de9fa5f81d13c3204a65edcb37359cac71d40f1634f9573436/c3.jpg" /> Let Perish the Money Tyrants 1982 <img width="1418" height="996" width_o="1418" height_o="996" data-src="https://freight.cargo.site/t/original/i/c7753a8d4f28ac0cf8e7162ceaf94e751d68435b6acaec882c62a1536e06ecee/c2.jpg" data-mid="103969485" border="0" src="https://freight.cargo.site/w/1000/i/c7753a8d4f28ac0cf8e7162ceaf94e751d68435b6acaec882c62a1536e06ecee/c2.jpg" /> Peace to the Cottages — War to the Arts Council 1982 ︎the young novice at the tea stall has taken a vow of silence when you ask him a question he exorcises you by sprinkling dishwater in your face and continues with his ablutions in the sink and certain ceremonies connected with the washing of cups and saucers from Arun Kolatkar’s “The Railway Station”